George Inness Painting Reproductions 1 of 9
1825-1894
American Romanticism Painter
George Inness (May 1, 1825 - August 3, 1894), was an American landscape painter; born in Newburgh, New York; died at Bridge of Allan in Scotland. His work was influenced, in turn, by the that of the old masters, the Hudson River school, the Barbizon school, and, finally, by the theology of Emanuel Swedenborg, whose spiritualism found vivid expression in the work of Inness' maturity.
Youth
Inness was the fifth of thirteen children born to John Williams Inness, a farmer, and his wife, Clarissa Baldwin. His family moved to Newark, New Jersey when he was about five years of age. In 1839 he studied for several months with an itinerant painter, John Jesse Barker. In his teens, Inness worked as a map engraver in New York City. During this time he attracted the attention of French landscape painter Regis-Francois Gignoux, with whom he subsequently studied. Throughout the mid-1840s he also attended classes at the National Academy of Design, and studied the work of Hudson River School artists Thomas Cole and Asher Durand; "If", Inness later recalled thinking, "these two can be combined, I will try."
Concurrent with these studies Inness opened his first studio in New York. In 1849 Inness married Delia Miller, who died a few months later. The next year he married Elizabeth Abigail Hart, with whom he would have six children.
Early career
In 1851 a patron named Ogden Haggerty sponsored Inness' first trip to Europe to paint and study. Inness spent more than a year in Rome, during which time he rented a studio above that of painter William Page, who likely introduced the artist to Swedenborgianism.
During trips to Paris in the early 1850s, Inness came under the influence of artists working in the Barbizon school of France. Barbizon landscapes were noted for their looser brushwork, darker palette, and emphasis on mood. Inness quickly became the leading American exponent of Barbizon-style painting, which he developed into a highly personal style.
In the mid-1850s, Inness was commissioned by the Delaware, Lackawanna and Western Railroad to create paintings which documented the progress of DLWRR's growth in early Industrial America. The Lackawanna Valley, painted ca. 1855, represents the railroad's first roundhouse at Scranton, Pennsylvania and integrates technology and wilderness within an observed landscape; in time, not only would Inness shun the industrial presence in favor of bucolic or agrarian subjects, but he would produce much of his mature work in the studio, drawing on his visual memory to produce scenes that were often inspired by specific places, yet increasingly concerned with formal considerations.
Maturity
The work of the 1860s and 1870s often tended toward the panoramic and picturesque, topped by cloud-laden and threatening skies, and included views of his native country (Autumn Oaks, 1878, Metropolitan Museum of Art ; Catskill Mountains, 1870, Art Institute of Chicago), as well as scenes inspired by numerous travels overseas, especially to Italy and France (The Monk, 1873, Addison Gallery of American Art; Etretat, 1875, Wadsworth Atheneum). In terms of composition, precision of drawing, and the emotive use of color, these paintings placed Inness among the best and most successful landscape painters in America.
Eventually Inness' art evidenced the influence of the theology of Emanuel Swedenborg. Of particular interest to Inness was the notion that everything in nature had a correspondential relationship with something spiritual and so received an "influx" from God in order to continually exist.
Another influence upon Inness' thinking was William James, also an adherent to Swedenborgianism. In particular, Inness was inspired by James' idea of consciousness as a "stream of thought", as well as his ideas concerning how mystical experience shapes one's perspective toward nature.
After Inness settled in Montclair, New Jersey in 1878, and particularly in the last decade of his life, this mystical component manifested in his art through a more abstracted handling of shapes, softened edges, and saturated color (October, 1886, Los Angeles County Museum of Art), a profound and dramatic juxtaposition of sky and earth (Early Autumn, Montclair, 1888, Montclair Art Museum), an emphasis on the intimate landscape view (Sunset in the Woods, 1891, Corcoran Gallery of Art), and an increasingly personal, spontaneous, and often violent handling of paint. It is this last quality in particular which distinguishes Inness from those painters of like sympathies who are characterized as Luminists.
In a published interview, Inness maintained that "The true use of art is, first, to cultivate the artist's own spiritual nature." His abiding interest in spiritual and emotional considerations did not preclude Inness from undertaking a scientific study of color, nor a mathematical, structural approach to composition: "The poetic quality is not obtained by eschewing any truths of fact or of Nature...Poetry is the vision of reality."
Inness died while in Scotland in 1894. According to his son, he was viewing the sunset, when he threw up his hands into the air and exclaimed, "My God! oh, how beautiful!", fell to the ground, and died minutes later.
Youth
Inness was the fifth of thirteen children born to John Williams Inness, a farmer, and his wife, Clarissa Baldwin. His family moved to Newark, New Jersey when he was about five years of age. In 1839 he studied for several months with an itinerant painter, John Jesse Barker. In his teens, Inness worked as a map engraver in New York City. During this time he attracted the attention of French landscape painter Regis-Francois Gignoux, with whom he subsequently studied. Throughout the mid-1840s he also attended classes at the National Academy of Design, and studied the work of Hudson River School artists Thomas Cole and Asher Durand; "If", Inness later recalled thinking, "these two can be combined, I will try."
Concurrent with these studies Inness opened his first studio in New York. In 1849 Inness married Delia Miller, who died a few months later. The next year he married Elizabeth Abigail Hart, with whom he would have six children.
Early career
In 1851 a patron named Ogden Haggerty sponsored Inness' first trip to Europe to paint and study. Inness spent more than a year in Rome, during which time he rented a studio above that of painter William Page, who likely introduced the artist to Swedenborgianism.
During trips to Paris in the early 1850s, Inness came under the influence of artists working in the Barbizon school of France. Barbizon landscapes were noted for their looser brushwork, darker palette, and emphasis on mood. Inness quickly became the leading American exponent of Barbizon-style painting, which he developed into a highly personal style.
In the mid-1850s, Inness was commissioned by the Delaware, Lackawanna and Western Railroad to create paintings which documented the progress of DLWRR's growth in early Industrial America. The Lackawanna Valley, painted ca. 1855, represents the railroad's first roundhouse at Scranton, Pennsylvania and integrates technology and wilderness within an observed landscape; in time, not only would Inness shun the industrial presence in favor of bucolic or agrarian subjects, but he would produce much of his mature work in the studio, drawing on his visual memory to produce scenes that were often inspired by specific places, yet increasingly concerned with formal considerations.
Maturity
The work of the 1860s and 1870s often tended toward the panoramic and picturesque, topped by cloud-laden and threatening skies, and included views of his native country (Autumn Oaks, 1878, Metropolitan Museum of Art ; Catskill Mountains, 1870, Art Institute of Chicago), as well as scenes inspired by numerous travels overseas, especially to Italy and France (The Monk, 1873, Addison Gallery of American Art; Etretat, 1875, Wadsworth Atheneum). In terms of composition, precision of drawing, and the emotive use of color, these paintings placed Inness among the best and most successful landscape painters in America.
Eventually Inness' art evidenced the influence of the theology of Emanuel Swedenborg. Of particular interest to Inness was the notion that everything in nature had a correspondential relationship with something spiritual and so received an "influx" from God in order to continually exist.
Another influence upon Inness' thinking was William James, also an adherent to Swedenborgianism. In particular, Inness was inspired by James' idea of consciousness as a "stream of thought", as well as his ideas concerning how mystical experience shapes one's perspective toward nature.
After Inness settled in Montclair, New Jersey in 1878, and particularly in the last decade of his life, this mystical component manifested in his art through a more abstracted handling of shapes, softened edges, and saturated color (October, 1886, Los Angeles County Museum of Art), a profound and dramatic juxtaposition of sky and earth (Early Autumn, Montclair, 1888, Montclair Art Museum), an emphasis on the intimate landscape view (Sunset in the Woods, 1891, Corcoran Gallery of Art), and an increasingly personal, spontaneous, and often violent handling of paint. It is this last quality in particular which distinguishes Inness from those painters of like sympathies who are characterized as Luminists.
In a published interview, Inness maintained that "The true use of art is, first, to cultivate the artist's own spiritual nature." His abiding interest in spiritual and emotional considerations did not preclude Inness from undertaking a scientific study of color, nor a mathematical, structural approach to composition: "The poetic quality is not obtained by eschewing any truths of fact or of Nature...Poetry is the vision of reality."
Inness died while in Scotland in 1894. According to his son, he was viewing the sunset, when he threw up his hands into the air and exclaimed, "My God! oh, how beautiful!", fell to the ground, and died minutes later.
193 George Inness Paintings
Early Autumn, Montclair 1891
Oil Painting
$650
$650
Canvas Print
$50.19
$50.19
SKU: ING-2680
George Inness
Original Size: 73.6 x 114.3 cm
Delaware Art Museum, Wilmington, USA
George Inness
Original Size: 73.6 x 114.3 cm
Delaware Art Museum, Wilmington, USA
October Noon 1891
Oil Painting
$681
$681
Canvas Print
$50.20
$50.20
SKU: ING-2681
George Inness
Original Size: 77.8 x 113.3 cm
Fogg Art Museum at Harvard University, Massachusetts, USA
George Inness
Original Size: 77.8 x 113.3 cm
Fogg Art Museum at Harvard University, Massachusetts, USA
The Clouded Sun 1891
Oil Painting
$564
$564
Canvas Print
$85.34
$85.34
SKU: ING-2682
George Inness
Original Size: 76.2 x 114.3 cm
Carnegie Museum of Art, Pittsburgh, USA
George Inness
Original Size: 76.2 x 114.3 cm
Carnegie Museum of Art, Pittsburgh, USA
Summer, Montclair (New Jersey Landscape) 1891
Oil Painting
$611
$611
Canvas Print
$50.19
$50.19
SKU: ING-2683
George Inness
Original Size: 76.8 x 114.3 cm
The Clark Art Institute, Massachusetts, USA
George Inness
Original Size: 76.8 x 114.3 cm
The Clark Art Institute, Massachusetts, USA
Sunset, Etretat 1892
Oil Painting
$711
$711
Canvas Print
$81.77
$81.77
SKU: ING-2684
George Inness
Original Size: 76.7 x 114.6 cm
Terra Museum of American Art, Chicago, USA
George Inness
Original Size: 76.7 x 114.6 cm
Terra Museum of American Art, Chicago, USA
The Home at Montclair 1892
Oil Painting
$620
$620
Canvas Print
$50.62
$50.62
SKU: ING-2685
George Inness
Original Size: 76.7 x 114.3 cm
The Clark Art Institute, Massachusetts, USA
George Inness
Original Size: 76.7 x 114.3 cm
The Clark Art Institute, Massachusetts, USA
Early Morning, Tarpon Springs 1892
Oil Painting
$585
$585
Canvas Print
$96.41
$96.41
SKU: ING-2686
George Inness
Original Size: 107.2 x 82.2 cm
Art Institute of Chicago, Illinois, USA
George Inness
Original Size: 107.2 x 82.2 cm
Art Institute of Chicago, Illinois, USA
Early Moonrise, Florida (Early Morning, Florida) 1893
Oil Painting
$585
$585
Canvas Print
$50.19
$50.19
SKU: ING-2687
George Inness
Original Size: unknown
Museum of Fine Arts, St. Petersburg, USA
George Inness
Original Size: unknown
Museum of Fine Arts, St. Petersburg, USA
Sunset, Golden Glow 1893
Oil Painting
$505
$505
SKU: ING-2688
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
Sundown 1894
Oil Painting
$541
$541
Canvas Print
$50.19
$50.19
SKU: ING-2689
George Inness
Original Size: 77.8 x 114.2 cm
Art Museum of the Americas, Washington, USA
George Inness
Original Size: 77.8 x 114.2 cm
Art Museum of the Americas, Washington, USA
Morning, Catskill Valley 1894
Oil Painting
$596
$596
SKU: ING-2690
George Inness
Original Size: unknown
Santa Barbara Museum of Art, California, USA
George Inness
Original Size: unknown
Santa Barbara Museum of Art, California, USA
Etretat, Normandy 1877
Oil Painting
$585
$585
SKU: ING-2691
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
A Gray Lowery Day 1877
Oil Painting
$497
$497
SKU: ING-2692
George Inness
Original Size: 45.4 x 65 cm
Museum and Cultural Center at Wellesley College, Massachusetts, USA
George Inness
Original Size: 45.4 x 65 cm
Museum and Cultural Center at Wellesley College, Massachusetts, USA
Morning c.1878
Oil Painting
$650
$650
Canvas Print
$50.19
$50.19
SKU: ING-2693
George Inness
Original Size: 76.2 x 114.3 cm
Thyssen-Bornemisza Museum, Madrid, Spain
George Inness
Original Size: 76.2 x 114.3 cm
Thyssen-Bornemisza Museum, Madrid, Spain
Winter Morning, Montclair 1882
Oil Painting
$576
$576
SKU: ING-2694
George Inness
Original Size: unknown
Montclair Art Museum, New Jersey, USA
George Inness
Original Size: unknown
Montclair Art Museum, New Jersey, USA
The Old Oak, Medfield, Massachusetts 1875
Oil Painting
$435
$435
SKU: ING-2695
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
Late Afternoon c.1882
Oil Painting
$391
$391
SKU: ING-2696
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
The Palisaides c.1884
Oil Painting
$576
$576
SKU: ING-2697
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
Sunset at Milton 1885
Oil Painting
$422
$422
Canvas Print
$50.34
$50.34
SKU: ING-2698
George Inness
Original Size: 40.6 x 60.3 cm
Private Collection
George Inness
Original Size: 40.6 x 60.3 cm
Private Collection
Sundown near Montclair 1885
Oil Painting
$526
$526
SKU: ING-2699
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
Georgia Pines - Afternoon 1886
Oil Painting
$446
$446
SKU: ING-2700
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
A Breezy Autumn 1887
Oil Painting
$648
$648
SKU: ING-2701
George Inness
Original Size: unknown
Private Collection
George Inness
Original Size: unknown
Private Collection
Early Autumn, Montclair 1888
Oil Painting
$585
$585
SKU: ING-2702
George Inness
Original Size: unknown
Montclair Art Museum, New Jersey, USA
George Inness
Original Size: unknown
Montclair Art Museum, New Jersey, USA
Saco Ford - Conway Meadows 1876
Oil Painting
$553
$553
Canvas Print
$50.19
$50.19
SKU: ING-2703
George Inness
Original Size: 96.5 x 160 cm
Mount Holyoke College Art Museum, South Hadley, USA
George Inness
Original Size: 96.5 x 160 cm
Mount Holyoke College Art Museum, South Hadley, USA