Madonna Enthroned with St. Matthew, 1588 Annibale Carracci (1560-1609)

Location: Gemaldegalerie Alte Meister Dresden Germany
Original Size: 384 x 255 cm

Oil Painting Reproduction

$7059.64 USD
Condition:Unframed
SKU:CAR-9373
Painting Size:

If you want a different size than the offered

Description

Completely Hand Painted
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
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We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Annibale Carracci also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Madonna Enthroned with St. Matthew is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

Over 20 Years Experience
Only Museum Quality

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Annibale Carracci’s "Madonna Enthroned with St. Matthew" is an audacious statement, a painting that seems to breathe with a blend of intense spirituality and very human dynamism. The whole composition is anchored by the Madonna and Child at its center, with St. Matthew extending an open book towards them - the gesture hinting at the intellectual exchange between the sacred and the mortal. But of course, Carracci doesn't stop there; he packs the canvas with saints, angels, and drama, creating a scene that teeters between divine stillness and earthly urgency.

Carracci's colors feel like they've been plucked straight from the Renaissance playbook - saturated, rich, and with an almost sculptural depth. The Madonna’s robe, a vibrant mix of deep blue and bright white, pulls your eye in immediately, and then you get that flash of gold in the background. It's as if heaven itself is quietly glowing behind her. The palette hums with those jewel tones, balanced by the earthy browns and reds, which Carracci uses to ground the figures around the Madonna.

Technically, Carracci doesn’t miss a beat. His figures are robust, muscular even, with weight and presence. Look at the saints - each one has their own gravity, their own drama. St. Francis, in his humble brown, bows in reverence, while St. John the Baptist, draped in red, points with an almost impatient intensity towards the sky, his body taut and alive.

The composition is organized but not rigid. There's a fluidity, a dynamic flow that moves your gaze from the cherubs above - who seem to be tumbling right out of the clouds - down to the grounded figures below. Carracci layers this interplay of the celestial and the earthly with a grace that makes the painting feel alive, like you're watching something unfold in real-time. There's nothing static about this piece - it pulsates with the weight of the divine and the very human struggle to comprehend it.
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