The Holy Family with the Infant Saint John the Baptist, a.1600 Annibale Carracci (1560-1609)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Annibale Carracci also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Holy Family with the Infant Saint John the Baptist is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Ah, Annibale Carracci, working his magic again, isn't he? This painting, “The Holy Family with the Infant Saint John the Baptist,” created around 1600, is a perfect example of why Carracci is considered such a pivotal figure in the Baroque movement. Here, he brings warmth and naturalism to a religious scene - a style that would go on to influence generations after him.

Let’s start with the composition. It’s tight and intimate, almost claustrophobic, but in a cozy, familial way. The Virgin Mary, in her typical blue and red garments, sits central, cradling the Christ Child. Her posture is slightly twisted, hinting at a mother’s constant watchful, protective nature, yet there’s a softness in how her arm supports the child. John the Baptist, adorable in his innocence, kneels to the left, leaning in as if already protective of his divine cousin, his iconic reed cross clutched loosely.

Now, Carracci is playing with colors like a maestro, right? That deep, velvety blue draping Mary is so rich it almost feels like you could reach out and touch it, contrasting wonderfully with the earthy tones surrounding her. The Christ Child’s skin, luminous and warm, stands out even more against Mary’s blue - that color choice is no accident, it's practically theatrical. And there’s Saint Joseph lurking in the background, almost disappearing into the shadows. He’s painted in more muted browns and grays, his presence strong but secondary.

Carracci’s technique is all about balance. Look at the textures - Mary’s vibrant cloak versus the smooth, glowing skin of the infant. There’s a sharpness in the details, but a softness in how they blend. Light subtly leads your eyes to the Christ Child, making him the inevitable focal point.

It’s quiet, yet dynamic. Intimate, yet monumental. It’s Carracci whispering, "Stay awhile, there's more here than meets the eye."