Pasture in Normandy, 1880s Eugene Boudin (1824-1898)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Eugene Boudin also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Pasture in Normandy is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Eugène Boudin's "Pasture in Normandy" from the 1880s might initially appear humble - cows lounging on a grassy field under a soft sky - but let’s not be fooled. This painting quietly pulses with life, and Boudin, as always, wields nature like a poet with a keen ear for rhythm. The Normandy landscape here is calm, yet there’s an undeniable energy buzzing beneath that green pasture. The cows - a mix of reds, blacks, and whites - seem oddly human, lazing as if caught in a moment of mid-thought, each in their private reverie.

The colors are anything but flat. Look closer at the grass: it’s not just green, but a layered symphony of fresh spring hues, accented by the blues and grays of the sky, which are thick with clouds rolling lazily by. The light isn’t dramatic; it’s subtle, soft - as if filtered through a veil of early morning mist. Boudin’s brushwork here is loose and confident. He doesn’t obsess over detail, which is exactly why the scene feels so real. He captures a fleeting moment rather than a polished scene. The cows are not meticulously rendered but suggested, their forms melting into the earth beneath them.

As for the composition, it’s deceptively simple. The cows are spread across the foreground in a relaxed arc, balancing the horizontal sweep of the distant horizon. Nothing jarring or forced - it all feels as natural as a breath of air. Boudin’s genius is in making it seem effortless, like this pastoral moment just happened to be there, waiting for him. And that, perhaps, is the magic of it.