The Path in the Garden, 1886 Gustave Caillebotte (1848-1894)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Gustave Caillebotte also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Path in the Garden is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Gustave Caillebotte’s "The Path in the Garden," 1886, feels like a scene you stumble upon rather than one neatly laid out for you. It’s the kind of composition that almost hides its sophistication under a veneer of calm simplicity. At first glance, you might think it’s just a meandering garden path framed by an array of greenery and flowers. But pause for a moment, and you’ll see the quiet intensity in his brushwork, the way the light pours in unevenly, spilling across the gravel, and how the shadows - less an afterthought, more a character in the scene - gather in the corners.

The colors are more than just descriptive, they’re expressive. The green of the bushes and trees isn’t one-note; it’s layered, textured, ranging from deep emeralds to sun-dappled yellows. And then there’s that striking band of red flowers - just enough to jolt the otherwise serene setting into life. It’s as if the garden is quietly holding its breath, with nature’s vibrancy gently contained within the frame of the foliage.

Caillebotte’s technique is a soft Impressionist touch, but not in the way of Monet’s exuberant swirls. His strokes feel measured yet loose, carefully blending shadow and light to guide the eye naturally down the path. The composition itself is a subtle curve, leading you in - or perhaps out - with no clear destination in sight. It’s the kind of scene that evokes tranquility without fully relinquishing control; there’s a sense that while nature flourishes, the human hand has quietly nudged it into place.