Buffoon Playing a Lute, c.1623 Frans Hals (c.1582-1666)

Location: Louvre Museum Paris France
Original Size: 67 x 60 cm
Buffoon Playing a Lute, c.1623 | Frans Hals | Painting Reproduction

Oil Painting Reproduction

$0.00 USD
Condition:Unframed
SKU:HAF-3262
Painting Size:

If you want a different size than the offered

Description

Completely Hand Painted
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
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We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Frans Hals also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Buffoon Playing a Lute is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

Over 20 Years Experience
Only Museum Quality

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Frans Hals' "Buffoon Playing a Lute," circa 1623, is a painting that embodies joy and movement with every brushstroke. Hals captures the playful spontaneity of a musician lost in his own world, his face lit with the glee of performance. This is not just a portrait of a man with an instrument - it’s a vivid snapshot of exuberance itself, rendered in the lively, thick strokes that define Hals’ technique.

At first glance, your eye is immediately drawn to the young buffoon’s face, which radiates a mischievous energy. His upturned gaze and half-smile suggest he's entertaining an unseen audience - perhaps he's caught in a moment of musical improvisation. Hals’ palette is deliberately limited but striking. The sharp contrast of red and black stripes in the buffoon’s costume amplifies the dynamic nature of the composition, the boldness of color reflecting the personality of its subject.

The hands are deftly captured in mid-motion, strumming the lute with an ease that’s almost tangible. Hals’ loose, free-flowing brushstrokes convey the texture of the instrument, from the smoothness of the wood to the delicate latticework of its sound hole. The artist’s skill is evident in how he captures the materiality of each surface - the plush folds of fabric, the lute’s wooden body, and the shine of skin, all alive under the soft, yet directional light that Hals expertly employs.

The composition is tight, intimate. By focusing solely on the upper half of the figure, Hals eliminates any background distractions, making the viewer feel as if they’re part of the performance, perhaps even sitting close enough to hear the strum of the strings. It’s this immediacy, this sense of presence, that gives the painting its energy. There’s an effortless realism here, but also a theatricality, as if the subject were stepping out from the frame, inviting us into his world of music and merriment.
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