Snow Scene at Argenteuil, 1875 Claude Monet (1840-1926)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Claude Monet also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Snow Scene at Argenteuil is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Snow Scene at Argenteuil presents a quiet suburb blanketed by freshly fallen snow, capturing a moment of transition between day and evening. The figures in the middle distance move cautiously along the Boulevard Saint-Denis, their forms partially obscured by the swirling haze. A line of modest buildings sits to either side, revealing the steady expansion of this modern suburb, while the faint shape of a distant church tower punctuates the skyline. In the foreground, the road takes on a dense, textured quality, evoking the sense of damp snow compressed underfoot and cartwheels. The overall atmosphere is hushed, enhanced by the subdued light that dissolves specific details into an ambient mist.

The color palette remains striking for its near-monochromatic subtlety - delicate whites and muted greys dominate, occasionally warmed with the slightest blush of pink or a soft, cerulean blue. Amid this restrained spectrum, small touches of deeper color stand out and guide the eye across the composition. A red note on the left is echoed in the cart tracks winding through the center, and cool blues reappear in the garments of the figures, the windows of the church, and the finer branches overhead. This judicious use of accent hues heightens the painting’s overall unity, revealing a deliberate orchestration of color that feels both lively and measured.

The canvas offers a study in layered, calligraphic brushwork. Broad, loose strokes form the sky and ground, which Monet appears to have laid in before introducing more precise elements such as spindly trees and meandering ruts in the road. Some passages, especially the foreground snow, are built up in thicker paint, suggesting the materiality and weight of the winter landscape. While smaller snow scenes from this period often include anecdotes or fine detail, here one finds a broader aim - the painter’s desire to convey the encompassing atmosphere of a subdued afternoon. In the larger format, Monet’s composition draws the viewer’s eye through the serpentine lines in the snow, eventually dissolving into the mist-shrouded distance. Set within the broader context of Argenteuil’s growth and connectedness to Paris, this painting epitomizes a moment of quiet reflection. Though it depicts an ostensibly ordinary street, the wintry hush and modulated colors imbue the scene with a contemplative quality, aligning with the innovations of Impressionism and reflecting the evolving landscape and lifestyle of the era.