Still Life with Roemer, 1644 Pieter Claesz (c.1597-1660)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Pieter Claesz also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Still Life with Roemer is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

One encounters a quiet drama of light and substance in Pieter Claesz's "Still Life with Roemer" from 1644, where the painter's mastery of Dutch Golden Age still life reaches sublime heights. The composition speaks of refined pleasures, yet maintains that characteristic Protestant restraint so deeply woven into 17th-century Dutch culture.

The centerpiece - a römer glass filled with golden wine - commands attention through its technical virtuosity. Those distinctive prunts (glass drops) on its stem catch light with extraordinary precision, each one a small feat of painterly observation. The fallen silver beaker beside it introduces an element of casual disorder, its engraved surface suggesting both luxury and transience. Between them sits a luminous lemon, its partially peeled skin spiraling downward - a signature element in Dutch still life that speaks to both sensual pleasure and temporal decay.

Claesz works in a restricted palette that nonetheless achieves remarkable depth. Warm browns and cool greys dominate, punctuated by that singular note of citrus yellow. The background transitions subtly from light to shadow, creating an atmosphere rather than mere space. One notices the painter's extraordinary handling of reflective surfaces - the wine's liquid sheen, the metallic gleam of the beaker, the subtle variations in the pewter plate's surface.

The composition embodies the period's vanitas tradition while avoiding heavy-handed symbolism. These objects - the wine suggesting pleasure, the lemon's inevitable decay, the overturned cup's reminder of life's impermanence - speak their message with remarkable subtlety. The painting's intimate scale (roughly 44 × 53 cm) draws viewers into close contemplation, revealing new details with each viewing. In its quiet way, this work exemplifies why Claesz stood among Haarlem's most sought-after still life painters during the Dutch Golden Age.