Charing Cross Bridge, London, 1890 Camille Jacob Pissarro (1830-1903)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Camille Jacob Pissarro also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Charing Cross Bridge, London is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

“Charing Cross Bridge, London” - Camille Pissarro’s impression of a foggy British day as only a Frenchman could capture it. What strikes first is the subtle vibration of the colors. A misty haze washes over the scene, with layers of soft blues, pale yellows, and lavender grays blending into one another, creating that quintessential London atmosphere - humid, cloudy, almost abstract in its diffuseness. It's a view both clear and obscured at once, a clever trick that Pissarro manages with his characteristic feathery strokes.

The bridge, Charing Cross itself, stretches horizontally across the canvas, a kind of black-gray skeleton cutting through the delicate fog. There’s something rigid and utilitarian about the bridge, almost a necessity rather than a centerpiece, though it’s undeniably the spine of the composition. Its dark pillars rise from the water, grounding the piece amidst the shimmering pastel tones of the sky and river.

But oh, the sky! The clouds are not just simple cotton puffs; they are restless, swirling masses of tiny dots and dashes. It’s as if the sky is breathing - light flickers in and out of the overcast heavens, giving the whole scene a dreamy luminescence. And that water? It mimics the sky, capturing the light in rippling, broken reflections, while small boats - almost toy-like - drift lazily, reinforcing the sense of quiet.

Pissarro’s technique here is all pointillist precision but without the over-technicality. Every dot matters, yet they are so soft, so ephemeral, that they hardly feel deliberate. It’s a landscape in suspension, as if time itself were paused - a breath held between two shores. London’s landmarks in the distance, shrouded in mist, are like ghosts - present but ungraspable.

In short, it’s a symphony in hushed tones. Pissarro doesn’t shout; he whispers, and if you lean in close enough, you can almost hear the murmur of the Thames.