The Finding of Moses, 1638 Nicolas Poussin (1594-1665)
Location: Louvre Museum Paris FranceOriginal Size: 93 x 121 cm
Oil Painting Reproduction
If you want a different size than the offered
Description
Painted by European Аrtists with Academic Education
Museum Quality
+ 4 cm (1.6") Margins for Stretching
Creation Time: 8-9 Weeks
Creation Process
We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.
We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.
High quality and detailing in every inch are time consuming. The reproduction of Nicolas Poussin also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.
In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.
TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.
We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.
You can stretch and frame your painting in your local frame-shop.
Delivery
Once the painting The Finding of Moses is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.
We offer free shipping as well as paid express transportation services.
After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.
Museum Quality
The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.
Additional Information
The scene unfolds on the banks of the Nile, where Poussin has artfully arranged a group of figures around the infant Moses. The painting's focal point is the child himself, cradled in the arms of a kneeling woman. Surrounding this central tableau are four standing figures - two elegantly dressed women, likely Pharaoh's daughter and her attendant, alongside two male figures who anchor the composition.
Poussin's palette is rich yet restrained, dominated by warm earth tones and cool blues. The golden yellow and salmon pink of the women's robes create a vibrant contrast against the cerulean sky and deep blue-green of the river. This interplay of warm and cool hues lends the painting a sense of harmony and balance.
The artist's technical mastery is evident in every brushstroke. His figures are sculpted with a firm, precise hand, their draperies falling in graceful folds that reveal the underlying forms. The landscape, while secondary to the human drama, is rendered with equal care - note the delicate leaves of the tree and the subtle gradations in the distant architecture.
Poussin's command of composition is perhaps the painting's most striking feature. The figures form a rough triangle, a classical arrangement that draws the eye inward toward Moses. The diagonal line of the riverbank leads our gaze from the foreground group to the background, where smaller figures and a boat provide depth and context.
This painting exemplifies Poussin's ability to imbue a biblical scene with the gravity of history painting. Through his thoughtful arrangement of forms and masterful technique, he elevates the narrative, inviting us to contemplate not just the story, but the very nature of human destiny and divine providence.
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