The Virgin with a Rose (The Holy Family with Little Saint John), c.1520 Raffaello Sanzio Raphael (1483-1520)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Raffaello Sanzio Raphael also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Virgin with a Rose (The Holy Family with Little Saint John) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

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The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Raphael’s The Virgin with a Rose presents a quietly reflective scene of tender interconnections. Mary sits at the center, gently cradling the Christ Child, who playfully engages with an infant Saint John the Baptist companion. In the background, Joseph appears partially in shadow, his gaze subdued and contemplative. The rose itself, depicted in the lower section that was likely added during a later transfer to canvas, provides a subtle, symbolic echo of purity. Despite the painting’s fragmentary conservation and the loss of much of its original support, one can still sense the presence of an intimate devotional mood.

The color palette, though not extensive, is carefully modulated. The blues of Mary’s robe float atop what appears to be a pink underlayer, allowing for a delicate interplay of tonal transitions. The flesh tones are refined with thin applications of paint, giving the figures a softness that contrasts with the deeper shadows surrounding them. Light is gently diffused - reminiscent of Leonardo’s sfumato - creating a warmth that harmonizes with the figures’ serene expressions.

A close inspection of the brushwork and layering reveals Raphael’s characteristic precision. Even with the possibility of workshop assistance, especially in smaller “anecdotal” passages, the overall rendering is unified. There is a sense that the master maintained close supervision, resulting in subtle transitions between drapery folds and hair, evoking transparency and texture without ostentatious display. The compositional structure is equally attentive, with the main diagonal running from Mary’s head down to the Christ Child, guiding the viewer’s eye to the interplay of gestures. Joseph’s presence at the upper left anchors the scene, framing Mary and the children in a tenderly staged gathering.

Historically, this composition belongs to Raphael’s later Roman period, yet it displays a certain return to Florentine clarity, particularly in the gentle solidity of the figures. The interplay between light and color has parallels to his later works, such as the Madonna of the Pearl, revealing the influences of Leonardo and Fra Bartolomeo in the creation of a luminous, contemplative atmosphere. That the painting may originally have been created for a private chapel is suggested by its modest size, sensitive lighting, and the personal, introspective poses of its subjects. Despite subsequent restorations and transfers, The Virgin with a Rose still preserves an appealing unity of form, color, and thematic intimacy, offering viewers a distinct window into Raphael’s evolving mastery of devotional imagery.