Madame X (Madame Pierre Gautreau), 1884 John Singer Sargent (1856-1925)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of John Singer Sargent also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Madame X (Madame Pierre Gautreau) is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

In John Singer Sargent’s "Madame X," we encounter a figure who is both monumental and elusive, a woman defined by her poise and her cool, almost statuesque beauty. Madame Pierre Gautreau - known in Paris for her striking appearance and unconventional style - stands against a muted brown background that isolates her, placing her in a kind of personal spotlight. Her skin is rendered in pale, almost ghostly tones, an alabaster white that contrasts sharply with the inky black of her gown. It’s as if she’s caught mid-turn, her body angled to the side, yet her gaze remains averted, indifferent to the viewer's scrutiny.

The composition is stunningly simple, yet each detail speaks volumes. Madame X’s hand rests lightly on a small, ornate table, while her other arm hangs languidly at her side, conveying both confidence and detachment. The gown she wears is a masterpiece of restraint - a tight black column that clings to her form, revealing just enough to hint at a sensuality that is more suggested than shown. The dress’s straps - one infamously slipping from her shoulder in the original version - are modestly corrected here, yet they continue to hint at an audacious, uncontainable spirit beneath the surface.

Sargent’s brushwork is precise and controlled, each stroke contributing to the sense of tension that permeates the painting. The gown is painted with such care that it seems almost tangible, the fabric subtly reflecting light, creating an illusion of depth and texture. Her pale skin, painted with soft, delicate strokes, appears almost luminous, glowing against the neutral background. This contrast - the black of her dress, the white of her skin, the shadowy depths of the backdrop - creates a visual balance that is both arresting and unsettling.

The muted tones of the painting amplify its psychological weight. Madame X is presented not as a warm, inviting presence but as a remote, almost intimidating figure. There’s a sense of defiance in her stance, an aloofness that pushes back against the viewer. Sargent has not painted a portrait to flatter; instead, he has created an icon of beauty, poised and untouchable, a woman whose mystery remains intact. "Madame X" is as much about what is hidden as what is revealed - a tantalizing glimpse of a personality that refuses to be fully known. It’s a portrait that resonates with silence, capturing a fleeting moment of intimacy and turning it into a timeless enigma.