Madonna and Child with Saint Francis and the Donor Luigi Gozzi with Saint Alvise, n.d. Tiziano Vecellio Titian (c.1485-1576)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Tiziano Vecellio Titian also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting Madonna and Child with Saint Francis and the Donor Luigi Gozzi with Saint Alvise is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

"Madonna and Child with Saint Francis and the Donor Luigi Gozzi with Saint Alvise" by Titian is a canvas that bursts with celestial grandeur, yet manages to keep one foot firmly planted on the earthy soil of Renaissance Italy. Look closely, and the painting is like a staged divine encounter. Above, the Madonna and Child hover in the clouds, gently anchored by the cherubic putti flanking them, each holding garlands as if to suggest heavenly approval of this meeting. Below them, in stark contrast, stand the mortal figures: Saint Francis, the donor Luigi Gozzi, and Saint Alvise.



Titian's brush dances between softness and sharpness. The Madonna’s robes, in a striking combination of vibrant red and deep blue, swirl with grace, catching the light in that unmistakably Venetian way - rich but not too gaudy, sacred yet accessible. The clouds supporting them? A symphony of whites and grays, painted with feathery strokes that feel as weightless as the divine realm they occupy. In contrast, the earthbound figures are rooted in darker, more muted tones - the brown habit of Saint Francis, the black of Luigi Gozzi’s garb, and Saint Alvise’s golden bishop vestments. It’s almost as if Titian uses these darker tones to tether the divine light above, like the sky reaching down to the earth.

The composition is theatrical, with Saint Alvise pointing heavenward, guiding the viewer’s eye upward to the Madonna and Child. Everything spirals upward in a smooth, triangular rhythm - the two saints on either side of Gozzi create symmetry, while the vertical lines in their postures add a sense of spiritual aspiration. Titian, master of composition, lets the figures communicate without words. A gesture, a gaze, the angle of a finger - it’s all part of the sacred dialogue.