The Concert, c.1665/66 Johannes Vermeer, van Delft (1632-1675)

We create our paintings with museum quality and covering the highest academic standards. Once we get your order, it will be entirely hand-painted with oil on canvas. All the materials we use are the highest level, being totally artist graded painting materials and linen canvas.

We will add 1.6" (4 cm) additional blank canvas all over the painting for stretching.

High quality and detailing in every inch are time consuming. The reproduction of Johannes Vermeer, van Delft also needs time to dry in order to be completely ready for shipping, as this is crucial to not be damaged during transportation.
Based on the size, level of detail and complexity we need 8-9 weeks to complete the process.

In case the delivery date needs to be extended in time, or we are overloaded with requests, there will be an email sent to you sharing the new timelines of production and delivery.

TOPofART wants to remind you to keep patient, in order to get you the highest quality, being our mission to fulfill your expectations.

We not stretch and frame our oil paintings due to several reasons:
Painting reproduction is a high quality expensive product, which we cannot risk to damage by sending it being stretched.
Also, there are postal restrictions, regarding the size of the shipment.
Additionally, due to the dimensions of the stretched canvas, the shipment price may exceed the price of the product itself.

You can stretch and frame your painting in your local frame-shop.

Once the painting The Concert is ready and dry, it will be shipped to your delivery address. The canvas will be rolled-up in a secure postal tube.

We offer free shipping as well as paid express transportation services.

After adding your artwork to the shopping cart, you will be able to check the delivery price using the Estimate Shipping and Tax tool.

The paintings we create are only of museum quality. Our academy graduated artists will never allow a compromise in the quality and detail of the ordered painting. TOPofART do not work, and will never allow ourselves to work with low quality studios from the Far East. We are based in Europe, and quality is our highest priority.

Johannes Vermeer’s The Concert" exudes a soft, almost weightless serenity. Here we are, peering into an intimate, upper-class space - but not just any space. It's one that, in true Vermeer fashion, pulses with a quiet sophistication. Music flows through the room, though we can’t hear it; the lute in the hands of the seated woman is like a whisper in mid-sentence, while the man at the harpsichord almost seems to be frozen mid-note. The standing woman holds a sheet of music, eyes slightly downcast, lost in her own thoughts or perhaps savoring the harmonies swirling around her.

But this painting isn’t just about music. It’s a symphony of light. Vermeer, as usual, manipulates the light with his magician-like precision. Look at how the soft daylight slants across the scene, diffusing through the room, picking out the delicate folds of the women’s dresses, and bringing that gorgeous Turkish carpet to life on the table in the foreground. Every detail seems bathed in a glow that makes time itself feel suspended.

And the composition - let's talk about that! The painting almost feels like a staged performance. Three figures positioned just so, with the checkerboard floor pulling our eye deeper into the space. But Vermeer doesn’t give us easy answers. Who are these people? What’s their relationship? There’s a coolness in their detachment - none of them interact directly, only through the music. They could be strangers, they could be lovers. The mystery lingers.

And yet, as hauntingly beautiful as this piece is, it’s overshadowed by its fate. Stolen in a brazen heist, "The Concert" hasn’t been seen since 1990. Its absence is deafening. In its place, an empty frame at the Isabella Stewart Gardner Museum, a silent echo of a crime that still reverberates through the art world.